Showing posts with label statues. Show all posts
Showing posts with label statues. Show all posts

Saturday, March 23, 2024

CHAPTER 32
Statues, Monuments and Memorials


All photos in this chapter are © by Joe Konz
 

Major General Henry W. Lawton and the statue of him in Garfield Park (right), sculpted by Andrew O’Conner, have interesting histories. 

Lawton was born in 1843 and grew up in Fort Wayne. He was 18 years old when he enlisted in the Army to serve in the Civil War. 

Lawton also served in the Apache Wars (and led the capture of Geronimo) and the Spanish-American and Philippine-American wars. He died at the hands of a sharpshooter in 1899 during the latter conflict, the only American general killed in that war and the first U.S. general killed overseas.

Andrew O’Conner completed work on the sculpture in 1906, and it was dedicated the following year at the Marion County Courthouse in downtown Indianapolis.

Present at the dedication ceremony was President Theodore Roosevelt; Vice President Charles W. Fairbanks, a prominent Indianapolis attorney; and Indiana poet James Whitcomb Riley, who read a poem composed just for the dedication.

The monument was relocated to Garfield Park in 1915 and rededicated in 1917. Today it stands in a modest floral garden in the north lawn of the Conservatory.

Each of the three photos of the statue here was taken at a different time, evidenced by the different contents of the flower garden. 






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I was not aware of Garfield Park's Grove of Remembrance for many years. In fact, it wasn't until 2009 when I was out on an autumn shoot, exploring the park's northwest quadrant, an area I ordinarily had little reason to roam, that I came upon the sign depicted in the photos above and below. 

The Grove of Remembrance encompasses a cluster of trees planted in intervals in the once open area west of the current Fire Station 29. The Grove was dedicated in October 1920 in honor of the 387 Marion County soldiers and sailors who died in World War I.


The original dedication, under the auspices of the Hamilton-Barry Service Star Legion, began with a procession beginning at the park's Shelby Street entrance. 

According to local newspaper stories covering the dedication, the procession include a platoon of mounted police followed by a detachment of soldiers from Fort Benjamin Harrison and a school band of 30 pieces and 190 children who sang under the direction of Edward Bailey Birge. That would not be the only involvement of children on the dedication program.

Also in the procession was a group of 50 more children who formed the shape of a gold star upon arriving in the Grove. And 290 more children marked the points in the Grove where trees would be planted. 

Guests of honor were national and state officers of the American Legion as well as officers of the American War Mothers, the Caroline Scott Harrison Chapter of Daughters of the American Revolution, Daughters of the Union, Boy Scouts, Service Star Legion and other patriotic organizations. 

Rabbi Morris M. Feuerlicht gave the invocation, and the children's chorus and spectators joined in the singing of the National Anthem. The dedication speech was delivered by Hilton U. Brown, who was then general manager of the Indianapolis News. To start the Grove of Remembrance, 290 trees were then planted at the spots marked by the children.

For several decades afterward, annual remembrance observances, featuring patriotic speeches and music, were held in the Grove on Memorial Day.    

In late September 1995, a rededication ceremony was conducted there, overseen by Ray R. Irvin, Indianapolis Greenways manager. It included remarks by then-U.S. Rep. Andy Jacobs, a Democrat from Indianapolis and a veteran of the Korean conflict, and Toby McClamroch, Republican majority leader of the Indianapolis City-County Council. 

Also appearing were Corinne White Walker, vice president of the Indiana War Mothers; Marilyn Price, president of the World War I Auxiliary; and Lucille Wahl, who as a child and neighborhood resident had participated in the original dedication ceremony in 1920. 






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A monument once marking the graves of Confederate soldiers who died while imprisoned at Union Camp Morton on the near Northside of Indianapolis and were buried in an old city cemetery, Greenlawn, inexplicably did not follow the soldiers when they were reinterred in Crown Hill Cemetery from 1928 to 1933. 

Instead, as directed by an Act of Congress in 1928, the monument was placed at the south end of Garfield Park as shown in the photos above and below. The monument bears the names of the deceased soldiers from the camp, making its separation from their final graves befuddling to anyone who knows this history. 

Once the monument landed in Garfield Park, it stayed there for more than 90 years. In that interim, there were several attempts to get the monument moved to Crown Hill Cemetery to be with the soldiers, where some people felt it belonged, but to no avail. At least not through the 20th century.

After the new millennium, new efforts surfaced to move the monument from the park to Crown Hill, but not primarily because of any sentiment that it belonged with the deceased Confederate soldiers in Crown Hill. The 2000s marked a new era -- nationwide -- in which many Americans voiced strong opposition to the continued public display of any monuments devoted to soldiers, officers or political leaders of the Confederate States of America. This sentiment grew even stronger in the late 2010s wave of Black Lives Matter. 

So in July 2020, the monument was finally removed and, according to city officials, placed in storage until a decision could be made on what to do with it. I wonder if returning it to be with the soldiers and sailors in Crown Hill Cemetery has been considered?

Just asking.






Thursday, July 27, 2017

Richmond's capitol square is not lacking
in architecture, statues, monuments

On May 19, the same day we made a last-minute stop at Charles City (Berkeley Plantation, yesterday's post) and Williamsburg, we also made an unplanned stop in Richmond, Virginia's capital.

We devoted the entire two hours -- I know we didn't spend more than that because our parking garage spot was only for that amount of time -- at the capital square downtown. We picked that because we thought we'd find something of interest to see and photograph. And we were right.

There were several impressive buildings, none more striking than the capitol, but it took a while to realize that what we were seeing. The Virginia capitol doesn't have a traditional dome, but it is a magnificent white structure with Roman columns that reminded me of the U.S. Supreme Court Building.

I took a bunch of photographs of the building, illustrated in the lead photo above, before finally flagging down some passers-by and asking if the building was home to the Virginia Supreme Court. Oddly, the first two people didn't know; the third pointed to an area west of where we stood, in the general direction of some trees, and said, "No, the Supreme Court is over there. This is the statehouse."

I was taken aback. It wasn't until recently, while refreshing my research before compiling this post, that I learned that Virginia is one of 12 states that have capitols without domes (the others being Alaska, Delaware, Florida, Hawaii, Louisiana, Nebraska, New Mexico, New York, North Dakota, Ohio and Tennessee).

The capitol in Richmond, the third home for Virginia's capital, was dedicated in 1785. The capital was first located in Jamestown, then moved to Williamsburg and, finally, to Richmond.

While visiting Thomas Jefferson's Monticello last September, I learned about Jefferson's extensive studies in architecture, his travels to France where he picked up many ideas employed in the New World, and the fact that he had a hand in designing many of Virginia's colonial era structures. Among those are key buildings at the University of Virginia in Charlottesville and the manor at Berkeley Plantation, which I wrote about in the previous post.

So I was not surprised to learn that Jefferson was partially responsible for the overall design of the Italian baroque style capitol in Richmond. With the help of French architect Charles-Louis Clerisseau, Jefferson fashioned the structure to model the Maison Carree at Nimes in southern France, an ancient Roman temple, according to the state capitol's citation in Wikipedia.

One phenomenon visitors can't ignore when they visit the statehouse square in Richmond: There are a lot of statues and monuments to local and national historic figures with Virginia roots. Even inside the capitol, there is an area displaying busts of the eight presidents native to Virginia (George Washington, Thomas Jefferson, James Madison, James Monroe, William Henry Harrison, John Tyler, Zachary Taylor and Woodrow Wilson), statues of Jefferson, Washington and Robert E. Lee, and formal portraits of all the people who served as governor.

In fact, there is a street in the capital -- Monument Avenue -- where more statues and monuments can be found.

As usual, click on any image to bring up a larger, sharper version. This is particularly useful if you access the blog using a mobile device. Click on the link in this sentence to view a full gallery of the images I made from my visit to the Capitol Building in Richmond.

Photo geek stuff: I shot all of my photos with my Canon 6D and Tamron 28-300mm f/3.5-6.3 Di PZD VC lens equipped with a B+W polarizing filter. I bracketed all compositions for three exposures to allow for melding in high-dynamic range (HDR) software in post-processing. Many of the images in this post were treated that way. 

Across the capital square is the distinguished federal court of appeals building (above). Inside the square, down hill from the capitol, is the plaza and fountain shown below. 


The governor's residence (above) is adjacent to the statehouse square. The ornamentation below is embedded in the walkway around the capitol.  


Above: The old city hall in Richmond, not far from the statehouse square.

Above: People relaxing or walking in the statehouse square, not far from one of the many monuments sprinkled about. 

An elaborate tribute to Washington and other historic figures (above and below) is the most spectacular of all the statehouse square monuments. 


Above and next three below: More examples of monuments in the square.




Above: This is the Virginia Supreme Court building, located beyond the trees where one person I talked to had pointed when I searched for the capitol.

Above: The capitol sits on a hill (Jefferson loved his hills), and public access to the structure is from the lower level doors at the bottom left. 

Above: This statue of Henry Clay welcome visitors inside the capitol. 

Above: A composition devoted to patterns, shadows and lines, but one that would not have been as successful without using high-dynamic range (HDR) treatment in post-processing to bring out detail in the staircase at the far end of the hall. 

There is no exterior dome on the capitol in Richmond, but there is a rotunda inside (above). I used the bottom section of the photo above to help made a second composition (below), integrating other aspects of the rotunda architecture as well as the top of the Washington statue. 


The statue of Washington, the nation's first president, was a short distance from one of Gen. Robert E. Lee in the Old House Chamber, the place where he was commissioned to lead the confederate army.  

Above: An example of one of the eight busts inside the capitol devoted to presidents native to Virginia. This one is for John Tyler. 

Above: Just three of the portraits of Virginia governors. 

Above: The text underneath this Mace of the Virginia House of Delegates tells the story of the symbol of government authority rooted in English tradition. In the Commonwealth of Virginia, the legislative chamber known in most states as the house of representatives is called the House of Delegates. 

Inside the House of Delegates (above and next two below) and inside the Senate (third below). 





Next up: Jamestown, Va.

Previous posts in this East Coast swing series:

James Madison's Montpelier

George Washington's Mount Vernon

Barboursville Vineyards, Barboursville, Va.

Alexandria, Va.

Berkeley Plantation, Charles City, Va.

Friday, September 23, 2016

Indy's Holliday Park celebrates
restoration of iconic Ruins

It had been six years since I was last in Indy's Holliday Park to photograph (and as best as I can recall, it probably also was the last time I was there).

Then on Sept. 15, The Indianapolis Star published an article reporting that the park's iconic attraction -- the Ruins -- had been restored and reopened to the public. I decided to wait until after the official restoration ceremony (which was Sept. 17) before going there to check it out. I did so on Tuesday, and photographs you see here are from that shoot.

In 2010, I ventured into the garden area and adjacent woods along White River, but not Tuesday. Instead, after photographing the Ruins, I checked out the Nature Center before calling it a day and heading home.

The Ruins are remnants from a  "The Races of Man" sculpture by Karl T. Bitter on the facade of the St. Paul Building, one of New York City's first skyscrapers. When the St. Paul Building was targeted for replacement by building owner Western Electric Co. in the 1950s, Indianapolis successfully bid to accept the remnants and display them in the park, which was land donated in 1916 by John and Evaline Holliday, according to The Star article. The finished installation, including a reflecting pool, wasn't dedicated until 1979, according to The Star.

By the mid-1990s, the Ruins were in obvious disrepair. Neighbors resisted an initial plan to remove the installation, so a fence eventually was erected around it until refurbishment funds and labor could be arranged and engaged. When I was there in 2010, the fencing forced photographers to use a decent zoom lens if they hoped to get closeups of the figures on the three posts.

I don't know if there was a fountain as part of the original development, but there are two there now. The restored version features a shimmer fountain and children's water table and wooden lounge chairs on the main/front side, as depicted in the photo leading off the post. A traditional fountain can be found on the back side of the structure, the one visitors see walking in from the parking lot (a shot of that appears below). On warm days, the former is a popular attraction to youngsters, who wade in the very thin layer of water that fills much of the bricked area.

For a full gallery of my images from Holliday Park, visit my site at SmugMug.com. As always, click on any images to view a larger, sharper version, which is particularly important when the blog is accessed on a mobile device.

Photo geek info: For the entire shoot, I used a Canon 6D equipped with a Canon EF 24-70mm f/2.8L lens and a polarizing filter. I bracketed the exposures for each scene that I combined in post-processing using Photomatix high-dynamic range (HDR) software. For most shots, I set the ISO at ISO 100 and used an aperture of f/8 or f/9, letting the shutter be my exposure variable.


Above: An inviting landscaped promenade leads from the parking lot to the Ruins.  

A closeup (above) of the figures constituting "The Three Races" and a closeup (below) of the figure on the far right above.  


Above and next two below: Some detail shots from sections of the structure.



Above and below: A photographer can challenge him/herself with trying to find an interesting way to capture the semicircular row of stone pillars on the backside of the Ruins. 


Further into the park, across an open green space from the Ruins, one comes across these three monuments (above), which the park calls its dedicatory stones. A closeup of the stone on the right appears below. 


 Above: A tree stands out along the edge of the meadow leading to the gardens.

A pergola and art installation (above) greet visitors to the nature center (below).  


The art installation, framed by a tree and garden foliage (above), as seen from the pergola. Below is the pergola ceiling. 


Above: Pavers etched with fundraising memorials line the floor of the pergola.

Above: A mailbox outside the former Holliday family house. The pergola appears in the background.

A solitary tree (above) and a circle of trees (below, left) in an area north of the Ruins, which can be seen in the right background in the photo below.  


Above: Lounge chairs adjacent to the children's water table near the Ruins.

For many years, statues of eight Greek goddesses stood on the facade of the old Marion County Courthouse in Indianapolis. After the courthouse was razed in 1963 (it was replaced by today's City-County Building), Holliday Park obtained four of those statues and positioned them alongside the Ruins. The number of statues dwindled to two by 2007, and today only the one above remains (that I could find, anyway). A closeup of her feet appears below.    


Above: A good amount of landscaping and/or grass seeding remains to be done, as evidenced in the photo above.