From Savannah, Lee Ann and I drove up to Myrtle Beach to meet some of her family to enjoy the beach and some rest and relaxation.
We had mostly decent weather; there was a day or two when it was on the chilly side, and one evening we spent an hour or so monitoring a local television channel to ascertain when vicious storms headed our way could turn out to be serious enough to seek protection from tornadoes.
But the storms moved out before turning that dangerous.
Almost all the pictures I took while in Myrtle Beach this time were with my iPhone, and they were family photos. Nothing I am going to bother with in blog posts.
The exception are images you see in this post. Usually I go to Myrtle Beach expecting interesting sunrise pictures. Lee Ann coaxed me to find something interesting with the sunsets while I was there, so that's what the images in this post are about, all taken from the balcony of our rooms. Yes, I use the plural rooms; for the first two nights, we stayed on the second floor at one end of the hotel; we went up four floors and to the other side of the building for the remainder of our stay.
Leading off the post is a photo looking southeast and was taken from the balcony on the higher-floor room. The sun is lowering behind us, so you see rich, late-afternoon dramatic colors and contrast here. I'll let the captions tell the story of the remaining images in the post. There is some interesting "looks," given the direction and time involved.
Above: This image was taken from the first room's balcony, which looks due east and was right after sundown.
The photo and above and the last two below were taken on a different night, about 15 minutes before the sun went down. They also were from the balcony of the sixth-floor room. The first one above also looks east, and you appreciate that dramatic late-afternoon lighting on the orange building facade. For the bottom two images, I turned to look toward the sun. The first below, a perspective shot, finds the sun curling around the left backside of the building, casting out what I thought was some cool flare rays. I then put my polarizing filter on the Tamron 28-300 f.3.5-6.3 lens (on my Canon 6D) and zoomed in to get the final image, a much clearer depiction of how the sun was dropping behind the building.
I needed to get away from Riley Hospital for Children for a short while on Saturday evening, so with camera in hand, I walked around the Indiana University-Purdue University Indianapolis (IUPUI) campus and took pictures.
Along the way I saw a Cathy Morris concert (she's an electric jazz violinist) at White River State Park, dancers in front of her stage, a beautiful near-sunset along the river and neat architecture on the campus -- not necessarily in that order.
These images are a mere sampling of the 244 frames I shot that evening.
That beautiful, distinguished sunset you see above was captured by Trish van den Berg, the subject of Photo Potpourri's inaugural "Photographer in the Spotlight" interivew.
In the two years that I've maintained a photo gallery at photo.net, I've come to appreciate the work of fellow photo.net photographers, including Trish. As her bio at photo.net states, Trish was born and raised in Holland, has lived in the United States and Spain, and for almost 20 years now has resided in the Bahamas. Her portfolios and galleries at three sites – photo.net, Fotki.com and DeviantArt – support her self-description as a nature photographer. Her specialties are sunsets, skyscapes and the animal-reptile-insect kingdom – and all the images you see in her collection (and in this post) were taken in the Bahamas. She owns horses and dogs, and often uses them as her subjects.Trish and I both own a Canon 30D; she has since moved up to a Canon 5D but still uses the 30D from time to time. Her warm sunsets caught my eye early on, and I've enjoyed watching her compositions evolve creatively and compositionally. Here's what she had to say in our interview:
Trish, how (and when) did you get into photography? Was it an interest that developed over time, or did you throw yourself into it right away?
I have always enjoyed photography, even as a child. When my two children were born, I made each of them their own albums to take with them once they moved out of the house. I have made at least 50 albums over the years. Then, in 1996, somebody told me about photo sharing on line, and I took notice and great interest in that. I love to share my work and see the reactions of people worldwide, and I enjoy their work and learning from it, while at the same time, I grow and get better. I am not very protective of my work as so many artists are. I love to share and see it on sites. I think we need to share with everybody on this planet. I saw a photograph of my wonderful dad on a Web site about old people in the world. A picture that I took of him was next to a picture of Mother Theresa, and my dad was so taken by it. I was so happy to see that as well. As long as people do not abuse it, I think it is wonderful that it is being shared...
What gives you the most pleasure, satisfaction or fulfillment in your work?
The most pleasure I get out of my work is when I have done a piece, and I put it on my wall – in the the garage, living room or anyplace. It does not matter where it ends up. It is such a satisfaction to see it, and I get so much confidence from that. When it is on the wall, I know I have done a good piece. Plus the thousands of comments and questions I get from random people from all over the world on the Web sites – it is so fulfilling! Plus, I am not a churchgoer, but being so close to nature I so feel the spirituality of our amazing beings … human beings and creatures …
At your DeviantArt site, you identify yourself as a nature photographer. For sure, the vast majority of your photographs are taken outdoors -- landscapes, sunsets, sky/sea vistas and members of the animal, bird and reptile kingdoms. How did you pick those as your focus of interest?
I photograph as I walk … as I stroll through the nature trails I photograph it when the sun hits that spot so incredibly that I feel it is a cry for attention from nature. "Look, here I am. Take it before the sun moves away from me!" I don't particularly look for things to photograph; I just walk and see and click. I sit with my animals for hours, and they crawl over me, and I am in heaven … and I feel so one with nature.
Do you have interest in and/or indulge in other forms of photography -- such things as portraiture, street photography, architecture -- and simply elect not to include those in your online portfolios?
I do, yes I do. I have really a bit of everything in my photos that I store. I feel I am only beginning. I have done fashion work as well. I just did a shoot for a French artist, photographing her jewelry that she makes, and it is on her Web site.
Do you have a favorite lens? How have you adjusted to the Canon 5D, and what are the pros and cons of it vs. the 30D?
My all-time fave lens is the macro lens. Never knew this lens before, and it is a must to own if you enjoy macro work, and it is a lens with lots of possibilities. Also the wide-angle lens is a nice extra to have. You can make so many fun shots with it. I still prefer the 30D over the 5D. My macro lens and my wide angle will not fit on the 5D. The 30D is a very, very easy camera to use. I would recommend the 30D over the 5D. That's just my personal preference. I am still getting to know the 5D, as a matter of fact.
Which of your images tend to fetch the most comments or interest? And how popular, would you say, are the series of "framing" – or integrating – the setting sun around either a natural element (such as a rock formation or plant, tree or bush) or a human subject (hand formations and such)?
If you go to my DA (DeviantArt) site, you can view the most popular photos in my gallery and the amount of hits they get. All my animal shots are the most popular. The cute shots of baby rabbits and chickens are very, very popular. Yes, framing of the sun … playing with the sun … making the photo special is the key. Everybody can take a photo, but it needs that extra something that makes you want to go back and look at it again. The light is the most important subject on a photo. It can make or break even the most beautiful subject … or the most boring subject. The background is also very important, making sure that your eye doesn't go to a bright spot. I look at a photo, and I can tell right away if something bothers me. It jumps out at me, so to get the photo right, it has to be perfect. My eye goes directly to the part that bothers me. I want my photo to have a bit of art in it. That's the secret: It becomes art, rather then just a photo. That's always my goal.
Have you ever had any of your work published, or displayed in a public gallery or exhibit? Have you made your work available for sale at arts and/or crafts fairs? If so, how was the experience? If not, is that something you would like to do some time?
I am about to have my first official exhibit in April/June this year. I am so excited, and we just went over the 40 shots that will be exhibited. I do sell a print once in a while on DA, and it is a great feeling to know that my work is in some living room or garage or kid's room. I have made a wonderful children's book that I have given away to my friends and family over Christmas, and it is so, so popular that I am thinking of publishing it in a serious matter.
Are there any subjects or types of photography you haven't tackled yet that either intrigues you immensely or you would like to undertake sometime?
Yes, I am very interested in the human body. That's something I would love to photograph and get into. I think with time, I will look into that further. Plus, I want to go to Cuba and spend a few days with the people and the landscaping. It is on my list of things to do. I have an enormous urge to do that this year.
