Showing posts with label reflection. Show all posts
Showing posts with label reflection. Show all posts

Saturday, July 25, 2026

Introducing new blog header photo

Don't rub your eyes too hard if you think you're seeing multiple copies of the same photo on this page today. 

Because you are. 

Today's post serves to introduce the new header photo at the very top of the page. A copy of the photo also appears as the lead-off photo. A vertical orientation of this scene appears below. 

This shot was taken during a Feb. 6, 2026, visit to Yates Mill Pond Park in Raleigh, N.C. I've done so much shooting at this park, especially in the past year. As any regular visitor to this blog knows, it's become a favorite place of mine for both photography and exercise.

I got the idea to change the photo after observing the ninth anniversary of my residency in North Carolina on July 10. It occurred to me that after using two Indy-based concert photos in the header for the first 17 1/2 years of the blog, it was time to represent the new community in the header photo.

I liked this image on several levels. The clouds and the reflections, foremost. But also the almost total apparent monochrome tone except for slender horizontal sky on the right side and in the pond reflection. This is exactly how the image turned out using my iPone 13 Pro. I did not selective coloring in post-processing.

The landscape scenes replaces the black-and-white photo of Bishops band member Georgette Fraction, who made her debut in the header in October 2021. Before her, that spot was filled by a shot of Indianapolis-area bluesman Tad Robinson singing at an April 2010 album-release concert at The Jazz Kitchen of Indianapolis.



Check out my traveling photographer blog, Travelin’ Shutterbug.

Wednesday, January 14, 2026

Four Days in January
at Yates Mill Pond Park

Day 1
Jan. 5, 2026


I didn’t start out intending to do a photo outing — much less a photo series of any sorts — when I started my 2-mile walk at Yates Mill Pond Park on Jan. 5. But it turned out that way. And the idea to develop a series evolved from images I captured in three subsequent visits in less than a week’s time.

Until Jan. 5, only one of my 14 previous visits to this park occurred in winter. Three others were in November and one was in early December. And in none of those visits, did I delve deep into the park’s woods to walk the trail. 

I’m sure the idea to take photos on my first visit this month didn’t occur to me because the forest, where the walking trail is located, was void of green vegetation, so subconsciously I must have thought that there’d be nothing substantial to shoot.

By now, you’ve probably surmised that after my visit on Jan. 5, I realized I was quite wrong. So wrong, in fact, that I returned to the park’s woods and took more pictures with my iPhone on Jan. 9 and 12 and made another visit on Jan. 11 with a DSLR (digital single-lens reflex) camera.

After the Jan. 11 visit, I figured I had photographed just about everything I was going to need or want of the woods in winter. And again I was wrong. So confident that I was finished taking pictures was I that when I embarked on my walk on Jan. 12, I had told myself I’d not have to pull out the iPhone even once over the course. But alas, I was wrong about that, too.

My friends, a forest in winter provides photographers landscape picture opportunities galore! Green vegetation — i.e., leaves and wild grass, mainly — by itself does not make or break landscape photography. I’ll share the pictures I made in a four-part series here, each post devoted to one of the four trips I made there this month. So far (wink).

And I begin with the first visit, on Jan. 5. Photos from this visit and the ones on the 9th and 12th were taken with my iPhone Pro 13, including the lead-off photo in this post. I made this at a point on the loop portion of the trail that abuts agricultural property owned and used by North Carolina State University. 

What caught my eye here is not just the expansive field, but the unusual coloring in the sky. I can’t say the iPhone captured it perfectly, but the sky does show a few layers of different colors, and that’s what I recall seeing. 

To view a full gallery of photos from this shoot, follow the link in this sentence.

Above: A gaggle of geese swimming near the shore of the small portion of the pond, the part on the north side of the pedestrian bridge, which you'll see in one of the last photos of this post. I photographed the geese above early on — as I first crossed the bridge at the start of my walk. I note that, because I also encountered them at the end of the post, at which time I took a few more pictures. And I’ll add that if you intend to stick with me for the whole series, it’d be helpful to make a mental note of the geese because I refer to them in the Jan. 11 visit as well.

A dense — and, for winter in this forest, rare — cluster of green vegetation (above), and a shot depicting the closeness of trees to the path of the trail (below). The path is covered with double boards like this in about six spots along the course because of low-lying areas of ground that stay wet or damp for a long period after a decent rain. 


A rare tree with leaves still clinging to branches (above), and two examples (below) of non-green vegetation in the forest. 



The path narrows at points because of tree roots of all sizes. Above is an example of thick and multiple roots popping up above ground with very little space for an individual to land feet on flat ground. Below are smaller but longer above-ground roots. The roots on the path, combined with its undulating course throughout, including brief root-laden portions that go uphill and downhill quickly, are a challenge to those who make the journey. But many people like that about the course. A walker or runner simply has to watch the ground studiously for the duration to avoid being surprised by an unseen root. 


Another tree with golden leaves (above) and a pedestrian bridge over a narrow stream (below). 


Above and first two photos below: Closeups of some of those golden and brown leaves. 



Above and first two photos below: Closeups of the sparse green vegetation in the woods in winter. 



More trees snug along the path (above) and, off the beaten path, a fallen trunk and its large, exposed roots (below). 


A closeup (above) of an odd-colored, textured tree trunk. Below, an expansive patch of dead grass hugging the shorelines of a creek. 


Above and first four photos below: A large number of geese from the gaggle had moved to the west shoreline of the pond’s smaller section (north end), a very short distance from the pedestrian bridge, by the time I returned to the bridge at the end of my walk. The vast majority of the pond is on the other side (south) of the bridge. The closeups of the geese show most of them grooming or fishing in the shallow water. I like the quivering water ripples in the last three photos. 





Above: A simple reflection shot, exploiting the textured water ripples. 

These few geese above (and closeup below) stuck to the east side of the north pond area. 


Above: I end this post with a shot of some pond homesteaders who camp out on driftwood in a shallow portion of the pond’s south (and larger) section. I see almost the same number of waterfowl at this very spot every time I do my walk here. It was partly because of these birds, and partly because of the geese, that when I returned on Jan. 11, I brought one of my Canon DSLR camera equipped with a Canon EF 70-200mm f/2.8L IS lens and a Canon EF 1.4 extender. You'll see my captures from that visit in Part III of the series. Notice the intriguing vertical reflection lines in the upper portion of the photo.

Wednesday, September 9, 2020

Clouds, abstracts, wildlife and wild grasses at North Topsail Island beach, N.C.

 

In the previous post, I presented an array of shots from an unusual sunrise adorned by a heavy haze and a remarkable warm-color skyscape.

Our stay at North Topsail Island in late August was brief, so the only other pictures I took while there were along the beach. Those are what I'll present in this post, beginning with one of my favorites, the cloud skyscape shown in the lead-off photo as taken the night before the sunrise illustrated in the previous post. 

The clouds were creating an interesting reflective tapestry on the beach, shown in the photos below. The first photo provides context -- the abstract op art in the foreground in relationship to the point where waves hit the shoreline behind it. The second photo is a separate photo, but cropped at the point of shoot to focus on the abstract are created by the patchwork of clouds.

The third photo below is a look further down the beach and the sky, where there were far fewer clouds. The fourth and fifth photos below return to the skyscape, only at a point where I turned more to the southeast and captured the sun in relationship to that cloud quilt.    






In the next series below, I present five photos processed through high-dynamic range (HDR) software featuring some of the homes along the beach near where we stayed. They include the fifth, into which I again integrated the cloud tapestry, only this time coming in late evening, as the sun was preparing to set.   

 





The final series of photos below show the beach during regular daytime hours (first); a few small birds (second and third) foraging near the shoreline, including the third photo in which the bird on the far left spotted me and began to hightail it out of there; a surfer (fourth), taking advantage of some strong waves energized by daylong high gusts; another wildlife member, carrying some food away from some crazy guy carrying a camera; a gull doing a fly-over near where I was shooting; and several shots in which I composed around the tall wild grasses sprinkled throughout the beach. One of those involved a photo with which I played slightly in post-processing to give the color a warm, dark-yellow sheen.